For Maison Margiela, the decision to shift its focus toward China marks more than a geographical move. Under CEO Gaetano Sciuto, the brand is redefining how a fashion house communicates its identity, positioning itself at the center of a broader cultural exchange rather than remaining on the margins of niche influence.
There are moments on social media when an image stops you mid-scroll. Not because it is loud, but because it feels precise, intentional, and deeply personal. Luka Panchulidze belongs to that rare group of young creatives whose work carries a distinct point of view. Currently studying fashion design at NABA in Milan, he is quietly shaping a visual language that merges instinct, memory, and cultural reference.
Swarovski’s presence at the Vienna Opera Ball says more than any campaign ever could. Beneath crystal chandeliers and velvet balconies, rows of debutantes in pristine white gowns moved in perfect rhythm, each crowned with a swan-shaped tiara designed by the brand. It was not just spectacle. It was positioning.
Love rarely follows a clear structure. It appears unexpectedly, often without logic, and finds its way into people’s lives on its own terms. Even more unusual is the moment when love grows alongside a shared creative vision. In the case of Lashao Gabunia and Teona Metreveli, the two are inseparable. Their relationship evolved in parallel with their work, forming a connection that feels both organic and deeply intentional.
Photography often begins as instinct, a fleeting urge to capture a moment before it disappears. For Shota Gotoshia, that instinct found direction within a professional environment. His early experience at Kikala Studio became the foundation for his career, transforming curiosity into a disciplined practice and gradually shaping a distinct visual language.
